VBS.TV & Incase
present
Picture Perfect



video documentaries dedicated to:
Rob Hornstra, Donald Weber, Stefan Ruiz, Vincent Fournier, James Mollison

Santiago Stelley, creative director
Serena Pezzato, project curator
Bernardo Loyola, head of production
Peter Spark, associate producer

Created by VBS.TV & Incase, Picture Perfect collects a series of video documentaries dedicated to known authors of the young scenery of contemporary photography.
Picture Perfect explores the artistic process of photographers and the different modalities with which they approach photography, highlighting some of the most significant moments of their work.
The authors are follwed while they develop their personal photographic research in various places and different continents.
Since his launch in 2007 VBS.TV has become a leader industry in creating original content and providing online news. The channel now boasts over 40 established shows concerning current events, culture, sports and music. In January 2010, Vbs.Tv concluded an agreement with Cnn.com, today it operates in 30 different countries with more than 2500 contributors and 700 employees worldwide. Vice magazine, born in 1994 in Canada as a magazine about music and arts consists of an audience of over a million of readers.


Rob Hornstra

Donald Weber


Stefan Ruiz


Vincent Fournier

Embrace the fragilty
curated by Francesca Baboni, Stefano Taddei

We are all fragile beings, lost in the dynamics of existence which do not follow any path stable. Therefore it becomes very difficult to give a strong sense of living in a topical increasingly disrupted. All that remains is to take note of contingency and modular researches that they can extricate and emerge in the impervious collectivity. Invited artists present video installations related to the concept of fragility, developed in different ways, in reference to the human person, the psyche or the peopled context. Blurred boundaries, on the verge of breaking. The fragility is seen in its various meanings, one of disturbing element in a state of apparent calm, or an identity that falls apart to preserve its beauty, or even a situation made up of silent gestures and suspended atmospheres, as well as vehicle request for asking for forgiveness, or defined by a now demolished habitats built without (aest)ethic attention. Another presence akin to precariousness is the water, understood in a metaphorical sense and substance, with a meaning very disturbing. In the suggested situations, that substance becomes depending on the number of cases a danger from which escape, a threat of misfortune or sometimes it goes to represent an inconvenient state social well defined.

Francesca Baboni, Stefano Taddei